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FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY | Eighteenth-Century Music | Cambridge Core
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![FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY | Eighteenth-Century Music | Cambridge Core FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY | Eighteenth-Century Music | Cambridge Core](https://static.cambridge.org/binary/version/id/urn:cambridge.org:id:binary:20190818221449684-0032:S1478570619000149:S1478570619000149_fig3g.gif?pub-status=live)
FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY | Eighteenth-Century Music | Cambridge Core
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FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY | Eighteenth-Century Music | Cambridge Core
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